السمات الإيقاعية الخارجية في القصيدة "لأنك خير خلق الله حقا" لأحمد نناوي: دراسة تحليلية عروضية

External rhythmic features in the poem “Li Annaka Khayr Khalq Allāh Ḥaqqan” by Aḥmad Nanāwī: A prosodic analytical study

Authors

  • Mohammed Hafees Mohammed Shareef Department of Arabic Language and Literature, AbdulHamid AbuSulayman Kulliyyah of Revealed Knowledge and Human Sciences (AHAS KIRKHS), International Islamic University Malaysia (IIUM), Malaysia.
  • Mohamed Sultan Mohamed Saleem Department of Arabic and Islamic Civilization, University of Peradeniya, Sri Lanka
  • Abdul Rauff Mohamed Mahsoom Department of Arabic Language and Literature, AbdulHamid AbuSulayman Kulliyyah of Revealed Knowledge and Human Sciences (AHAS KIRKHS), International Islamic University Malaysia (IIUM), Malaysia.

DOI:

https://doi.org/10.53840/alirsyad.v7i2.331

Keywords:

External rhyme, al-‘Arūḍ, al-Qāfiyah, al-Baḥr al-Wāfir, Letter of rawī

Abstract

The prosodic study is a significant approach in literary works, as it concentrates on the structure that Arabic poetry depends on, and it is considered as the main pillar in the formation of external rhythm in Arabic poems. In this regard, this study will focus on uncovering the aesthetic features resulting from al-‘Arūḍ (Arabic prosody) and al-Qāfiyah (Rhyme) in the poem “Li Annaka Khayr Khalq Allāh Ḥaqqan” of Aḥmad Nanāwī. The study analyses the poem based on the science of prosody and rhyme by deploying the analytical method. In addition, this study concluded that the poet invested rhythmic dimension provided by the al-Baḥr al-Wāfir itself, as well as strengthening the rhythmic structure through the use of ziḥāf al-‘aṣb and scansion of the poem (al-Taqṭī‘ al-‘Arūḍi), to shed light on the intended goal of this poem, which was to extend a tribute to the Prophet (PBUH), in terms of defending him, as well as in response to the statements made against him by some extremists. The poet also became successful in choosing the letter al-lām with ḍamma vowel as the letter of rawī, as well as in composing the elements of rhyme, which raises the poem to the highest rhythmic intensity. It further confirms that the poet revealed his creativities that correspond to the poem’s nature.

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Author Biographies

Mohammed Hafees Mohammed Shareef, Department of Arabic Language and Literature, AbdulHamid AbuSulayman Kulliyyah of Revealed Knowledge and Human Sciences (AHAS KIRKHS), International Islamic University Malaysia (IIUM), Malaysia.

Mohammed Shareef Mohammed Hafees is from Sri Lanka and recently received his PhD in Arabic literature from International Islamic University Malaysia (IIUM). He memorised the Holy Quran and completed seven years of Sharia studies in Arabic. Following that, he completed his first degree in the Arabic Language with 1st class honours at the University of Peradeniya, Sri Lanka, and a master's degree in Islamic Studies at the same institution, where he also worked as an Assistant lecturer in Arabic and Islamic Studies for two years. During his PhD studies, he conducted several Arabic research works, published numerous articles in academic journals and books, and presented numerous research papers at international conferences. He also has five years of professional experience teaching Arabic and Islamic Studies at the university and college levels.

 

Mohamed Sultan Mohamed Saleem, Department of Arabic and Islamic Civilization, University of Peradeniya, Sri Lanka

 

 

Abdul Rauff Mohamed Mahsoom, Department of Arabic Language and Literature, AbdulHamid AbuSulayman Kulliyyah of Revealed Knowledge and Human Sciences (AHAS KIRKHS), International Islamic University Malaysia (IIUM), Malaysia.

 

 

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Published

2022-12-20

How to Cite

Mohammed Hafees, M. S., Mohamed Saleem, M. S., & Mohamed Mahsoom, A. R. (2022). السمات الإيقاعية الخارجية في القصيدة "لأنك خير خلق الله حقا" لأحمد نناوي: دراسة تحليلية عروضية: External rhythmic features in the poem “Li Annaka Khayr Khalq Allāh Ḥaqqan” by Aḥmad Nanāwī: A prosodic analytical study. Al-Irsyad: Journal of Islamic and Contemporary Issues, 7(2), 879–891. https://doi.org/10.53840/alirsyad.v7i2.331